And anyway, the bodies are prepared by removing all cellular water, replacing it with some sort of plastic substance, so they looked more like scientific mannequins anyway--with the exception of their eyelashes and eyebrows, which for some reason were left on. Grossness is accomplished by bad smells, or slippy/drippy tactile sensation, and there was none of that. It was pretty hygienic. I was more grossed out by the Amtrak bathrooms.
Here are a few poetic facts I learned from Bodies.
- Children's bones grow faster in springtime
- Pulse is the artery wall, stretching with each heartbeat
- You are always shorter at the end of the day, and tallest just after rising in the morning
- After conception, everyone spends one half-hour as a single cell
There were two rooms that most intrigued me: the circulatory system and fetal development. Perhaps it's what they had in common: color. Tangles of arteries and veins were dyed bright crimson and electric blue, and were suspended in a glowing liquid. They displayed the vessels of different organs: the lung, the heart, the small intestine. Most interesting was the kidney. It was stuffed with vessels like pot holding a root-bound plant. I guess it's due to all that filtering the kidney does. In the fetal development room (which was introduced with a big sign warning you not to enter if you were the type to get disturbed by unborn babies), a display showed bone development over a period of weeks by dyeing the bones a deep red. I could still see the outline of the fetus, the developing tissue that held the unformed bones in place.
1 comment:
Sounds really interesting--and actually a lot different from the "rival" bodies exhibit.
I didn't know that they were unknowns, rather than people who had "donated their bodies to science." I wonder if they would have approved?
Possibly inappropriate to mention this here (or maybe I'm just lazy), but Fuzzy Reception is finished. And it's HUGE!
Post a Comment